New Year 2016
New Co-Directors
New Committee and Volunteer Members
New Directions
‘8 by 10’
NAS First Exhibition 2016
Gallery 1 and 2
‘8 by 10’
NAS First Exhibition 2016
Gallery 1 and 2
January 21 to February 7
L to R works by Michelle Schmitzer, Sharon Williams, Cherie Wren, Sharon Risdale |
L to R Dorothy Compton, Christina Frogley, Christine Hogan, Chris Byrnes |
Small works are popular with buyers as it is far easier for an art collector to fit a number of 8” x 10” works on a wall or to squeeze another small work into an almost overflowing space. A perfect marketing tool (can't quite believe I actually said that!) for an artist to showcase a small sample of their work to perhaps gain commissions to make larger work as well.
L to R Nadia Waugh, Vanessa Lewis, Gina Ermer, Simone Pilla Official Opening is Friday 22nd January from 6pm and the exhibition runs until Sunday 7th February |
Some thoughts about small scale possibilities.
Some thoughts about small scale possibilities.
The notion of small scale works provides an opportunity for artists to work on a small scale, perhaps outside their usual scope and perhaps allows for a quicker achievable work ready in the New Year. Small works have proven popular across art history with a notable early example being the 9 x 5 Impressionist Exhibition held in August 1889 in Buxton’s Rooms, Swanston Street Melbourne. Several artists from the Heidelberg School, Charles Conder, Tom Roberts, Arthur Streeton, and Frederick McCubbin took part where artists painted on wooden cigar-box panels 9” x 5”.
In more recent time Linden Arts in St Kilda has included an annual event in their exhibition programme, the Linden Postcard Prize. While we have no prize this year, we decided to show our own version with our postcard size scale set to 8”x10” to allow artists a little more freedom with scale. For your interest you can view works from the Linden Arts Postcard Exhibition at: http://lindenarts.org/exhibitions/linden-postcard-show--2015
The winner of the 2015 Portia Geach Memorial Award for female painters was Natasha Bieniek for her smaller scaled work, Sahara (self portrait), oil on wood. Natasha in interview on a recent ABC Arts Programme, talked about using a smaller scale that drew the viewer into the work, to step up close to see and connect with the work.
Earlier in the year Natasha Bieniek's Biophilia won the Wynne Prize and is the smallest ever winning entry at only 9cm x 9cm. Natasha stated "Because it's so small you have to get up so close to view it accurately, creating this intimate one-on-one "I want to pull [viewers] in to experience the subject ... Source: http://www.smh.com.au/entertainment/art-and-design/melbourne-artist-natasha-bieniek-wins-wynne-prize-with-miniature-landscape-20150717-gietz5.html
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