Current
on Show at Newcastle Art Space and open this weekend from 12noon to 5pm
Works
by four artists, Gina Ermer, Nathan Keogh, Maddyson Hatton and Lise Anita
Stenberg
Everyday
Observations
Gina
Ermer
Gallery
1
Gina
grew up in Newcastle watching her artist
father Mario Ermer paint and is known for her fashion wearable art pieces as
well as painting. Gina left Newcastle to
study fashion design and fine art in Sydney and returned to live in Newcastle
two years ago. She noticed a different
kind of light and an intense large sky across the city upon her return and
paints with reference to light falling onto and illuminating her subjects. Some of her influences are Margaret Olley,
Margaret Preston, Margaret Ackland, Lucien Freud, Geoffrey Smart and Di Chirico’s
use of space. Significant teachers were
David Eastwood and Guy Gillmore. Gina
has worked as a textile designer and continues to make garment pieces while
teaching shibori and natural dyeing on natural fibres such as wool and linen.
Works by Gina Ermer |
This exhibition
though, is about painting and showcases smaller works about domestic spaces and
objects and how light is interpreted through drawing and painting. Gina paints with acrylic within a traditional
framework, although her more recent works are about outdoor views of landscape,
water and harbour and display a lighter, freer array of mark-making as Gina
responds to new spaces. I think there is a lot more to come and to see from
this experienced designer, illustrator and painter as Gina opens herself up
more to painting and the painted surface.
Two larger works in particular resonate in this space, while the smaller
works draw the viewer into the colour, composition and painted light.
Design Page
Link and contact details: http://www.gina-ermer-design.com/
Twists
and Turns
Nathan
Keogh
Gallery
1
Nathan
Keogh is an accomplished and skilled sculptor with a Master Philosophy (Fine
Art) from the University of Newcastle.
He was a winner of the Jennie Thomas Travelling Scholarship and received
a tertiary scholarship to assist with his post-graduate study. A professional and practicing artist Nathan
has worked at The University of Newcastle as a Fine Art technical Officer and
is currently working at Maitland Regional Art Gallery. In this current
exhibition Nathan talks of twists and turns in life and how our paths can
change at any point. Nathan says...”I have used the “egg” shape to represent
life and in my sculptures some of these shapes seem to be at precarious points,
some are sheltered and safe and some optimize balance. All of them are surrounded by twists and
turn, bends peaks and troughs...such as we all experience on the path of life.”
Works by Nathan Keogh |
I
wondered and questioned how the expertly formed timber ‘egg’ shape remained in
place in some precarious locations within the metal surrounds. Some appeared to be in a state ‘of pre-fall’
where a slight movement would dislodge it from its tenuous position and permit
it to roll onto another plane. As always, Nathan’s highly developed technical
skill, combined with his own aesthetic and conceptual language, results in
fascinating objects that invite viewer interaction and yes, I must admit, I did
secretly want to slightly push the egg to see if it would hold or roll into
another position. I restrained myself
but this kind of work can open a dialogue with a wide audience and I think this
is a great thing for art and for Nathan’s art practice.
Field
Notes
Maddyson
Hatton
Gallery
2
Maddyson
discovered art during her Year 12 studies and is undertaking a Bachelor of Fine
Art (Honours) programme at the University of Newcastle where she is examining
Google imagery and censorship and works as a casual academic. Previous solo
exhibitions have been held at Watt Space and Back to Back Galleries. In her current exhibition Maddyson’s images
are pulled from imagined landscapes, places not yet visited, dreaming landscape
in search of her own language and vision for the space. Maddyson talked about cultural displacement,
the transitory nature of landscape, and that longing for something not yet
found.
Among her influences are
contemporary Chinese and Japanese art.
She practices what she calls ‘blind drawing’ where she keeps her eyes
focussed on the subject and draws onto paper and copper directly with an
automatic response. Her love of the
print as object is significant and she is experimenting with new techniques incorporating
printmaking and the medium of clay.
Works by Maddyson Hatton |
Field
Notes
Lise
Anita Stenberg
Gallery
2
Lise is
currently working in Melbourne and thanks to our many ways of communicating
across distance, sent me this little story about herself and background for her
current exhibition.
“I am
Norwegian. I grew up in a small village
in Northern Norway called Skutvik (200 inhabitants). I moved away from home at the age of 16, and
at the age of 19 I started travelling. My
concept is based around the search for both home and the feeling of belonging. I take inspiration from the nature I was
surrounded by growing up, mainly mountains to reflect the memories of home. I just
finished my Bachelor of Fine Art, and when I return to Norway I plan to
continue my studies and set up a studio. I adore
the work by Kim Van Someren.”
Works by Lise Anita Stenberg |
Lise
and Maddyson’s work in Gallery 2 is a cohesive exhibition and appears to be the result of a
successful collaboration between the two artists. Looking at their work was a joyful and
absolutely delightful experience for me highlighting a confident style of
mark-making, ceramics and image interpretation. There
is a lot to see in this space with strong ceramic and printmaking pieces from
both artists.
The
exhibition is open Thursday to Sunday 12noon to 5pm until next Sunday 24th
July.
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